Francisco Martínez de la Rosa

From Hispanopedia
Francisco Martínez de la Rosa
Anonymous portrait of Francisco Martínez de la Rosa, Ateneo de Madrid.
Secretary of State of Spain
In office
February 28, 1822 – August 5, 1822
MonarchFerdinand VII
Preceded byRamón López Pelegrín
Succeeded byEvaristo San Miguel y Valledor
President of the Council of Ministers of Spain
In office
January 15, 1834 – June 7, 1835
MonarchIsabella II
Preceded byFrancisco Cea Bermúdez (as Secretary of State of Spain)
Succeeded byJosé María Queipo de Llano
Minister of State
In office
January 15, 1834 – June 7, 1835
MonarchIsabella II
Preceded byFrancisco Cea Bermúdez
Succeeded byJosé María Queipo de Llano
In office
August 21, 1844 – February 12, 1846
Preceded byRamón María Narváez
Succeeded byManuel Pando Fernández de Pinedo
In office
October 25, 1857 – January 14, 1858
Preceded byPedro José Pidal
Succeeded byFrancisco Javier de Istúriz
President of the Congress of Deputies
In office
November 28, 1821 – December 27, 1821
MonarchFerdinand VII
Preceded byPedro González Vallejo
Succeeded byDiego Clemencín Viñas
In office
December 1, 1852 – December 10, 1853
MonarchIsabella II
Preceded byLuis Mayans y Enríquez de Navarra
Succeeded byEvaristo Fernández de San Miguel
In office
May 1, 1857 – July 16, 1857
Preceded byFacundo Infante
Succeeded byJuan Bravo Murillo
In office
December 2, 1858 – February 18, 1862
Preceded byJuan Bravo Murillo
Succeeded byAlejandro Mon y Menéndez
Personal details
Born(1787-03-10)March 10, 1787
Granada (Spain)
DiedFebruary 7, 1862(1862-02-07) (aged 74)
Madrid (Spain)
PartyModerate Party
OccupationPoet, playwright, politician and diplomat
Signature

Francisco de Paula Martínez de la Rosa Berdejo Gómez y Arroyo (Granada, March 10, 1787 – Madrid, February 7, 1862) was a Spanish poet, playwright, politician and diplomat. He headed the country's government during the Liberal Triennium and was later appointed President of the Council of Ministers in 1834.

Biography

He held the chair of Moral Philosophy at the University of Granada (1808). He joined the ranks of the liberal revolutionaries during the Napoleonic Invasion of Spain (1808–1814), and was one of the deputies of the Cortes of Cádiz who approved the Constitution of 1812. For this reason, after the return of Ferdinand VII and the restoration of absolutism, he was imprisoned in the penal colony of Melilla, in the Fort of Victoria Grande.

Francisco Martínez de la Rosa portrayed in Los Poetas contemporáneos (1846) by Antonio María Esquivel, Museo del Prado, Madrid.

He regained his freedom during the Liberal Triennium (1820–1823), during which he took on the leadership of the most moderate branch of the liberals (the «doceañistas») against the majority of «exaltados», and even headed the government as Minister of State in 1822.[1]

His cabinet was made up of José María Moscoso de Altamira (Interior), Diego Clemencín (Overseas), Nicolás María Garelli (Justice), Felipe Sierra Pambley (Finance), Luis María Balanzat de Orvay y Briones (War) and Jacinto de Romarate (Navy).[2]

After the uprising of the Royal Guard in July 1822, he submitted his resignation, which was finally accepted in August. After his fall, the situation became radicalized. On the one hand, the exaltados faction took over the government while, on the other, Ferdinand VII saw his attempts to recover absolute power fail and decided to resort to foreign intervention, which became effective with the intervention of the French army of the Hundred Thousand Sons of Saint Louis, under the auspices of the Holy Alliance, restoring absolute monarchy in Spain in October 1823.

Francisco Martínez (1860)

File:La viuda de Padilla (1814).djvu

Francisco Martínez de la Rosa (c. 1881), by Gabriel Maureta, Museo del Prado. Copy inspired by the original lithograph by Federico de Madrazo, published in El Artista in 1835.

The ensuing absolutist reaction during the Ominous Decade (1823–1833) forced him into exile in France and ultimately led him to an eclectic ideological position, inspired by the doctrinaire liberalism of Guizot: from then on he would defend a very moderate liberalism that would serve as a compromise with the monarchy and with the supporters of absolutism. It was this centrist position that led the Regent Maria Christina to call on him to form a government in 1834–1835.[1]

In that crucial period, Martínez de la Rosa set up a regime of limited monarchy with the first bicameral Parliament in the history of Spain, embodied in the Royal Statute of 1834. Seeking the support of liberal opinion for the cause of Isabella II against the claims to the throne of Don Carlos, Martínez de la Rosa decreed an amnesty for the liberals imprisoned during the absolutist period; but, always in centrist positions, he also tried to humanize the war declared against the Carlists.[1]

His moderation was soon overtaken by the radical aspirations of the exaltado liberals, who brought progressive leaders such as Mendizábal to the government and imposed more openly liberal constitutional models (1836). From then on, Martínez de la Rosa would be one of the inspirers of the formation of the Moderate Party, which was to preside over long periods of Spanish political life, representing the conservative wing of liberalism, on which the reign of Isabella II rested. He himself was a deputy, ambassador in Paris and in Rome, President of the Council of State, Minister of State (1844–1846 and 1857–1858) and President of the Congress of Deputies (1851, 1857 and 1860).

As a writer he belonged to the first generation of Romanticism; he stood out above all in the field of drama (La conjuración de Venecia, 1834), although he also wrote poetry and essays (El espíritu del siglo, 1851). His intellectual prestige led him to become a member of the Royal Academies of Spain, among them the Royal Spanish Academy (which he presided over from 1839 to 1862), the Royal Academy of History, the Royal Academy of Fine Arts and the Royal Academy of Jurisprudence, as well as to become President of the Ateneo de Madrid.[1]

Orders

Kingdom of Spain

Foreign

Works

Dramas

  • La viuda de Padilla (1812, Cádiz)
  • Lo que puede un empleo (1812, Cádiz) Satirical comedy.
  • La niña en casa y la madre en la máscara (1815)
  • Los celos infundados o el marido en la chimenea (1824)
  • Morayma (1815) Tragedy. (1st ed. Paris, Didot, 1829)
  • Edipo (1829)
  • La conjuración de Venecia (1830)
  • Aben Humeya o la rebelión de los moriscos (1836)
  • La boda y el duelo (1839)
  • El español en Venecia o La cabeza encantada, comedy.
  • Amor de padre, historical drama. (1849)

Historical novels

  • Hernán Pérez del Pulgar, el de las hazañas. Bosquejo histórico. (Madrid, Imprenta de Jordán, 1834).
  • Doña Isabel de Solís, reyna de Granada. (1837)

Lyric poetry

  • Zaragoza: poema, London 1811.
  • Poesías. Madrid, 1833
  • Poética, Tortosa 1843

Essays

  • Espíritu del siglo. (1835, 1836, 1838)
  • Bosquejo histórico de la política de España en tiempos de la dinastía austriaca. Madrid 1856
  • La moralidad como norma de las acciones humanas. Madrid, 1856

Education

  • Libro de los niños, first edition 1839.[5]

See also

  • First Government of Francisco Martínez de la Rosa
  • Spanish Romantic literature
  • Category:Romantic writers from Spain
  • Romanticism
  • Spanish literature

References

  1. ↑ 1.0 1.1 1.2 1.3 Biografías y Vidas. "Francisco Martínez de la Rosa" (in español). Retrieved November 7, 2008.
  2. ↑ Gabinetes durante el reinado de Fernando VII. (in Spanish)
  3. ↑ 3.00 3.01 3.02 3.03 3.04 3.05 3.06 3.07 3.08 3.09 3.10 Diccionario de la lengua castellana (in español). En la Imprenta Nacional. 1852. Retrieved July 14, 2017.
  4. ↑ "Biblioteca ICAR - Almanacco Reale del Regno delle Due Sicilie per l'anno 1855". www.icar.beniculturali.it (in italiano). Archived from the original on June 3, 2020. Retrieved December 28, 2017.
  5. ↑ "Libro de los niños/por Francisco Martínez de la Rosa". Cervantes Virtual (in español).

Bibliography